Principle described succinctly as “N+1,” although it is hardly likely that the designers of Wikipedia ever connected their program and site with Charles Sirato’s (currently obscure) 1936 Manifesto.* At any rate, 4D “art” is inclusive of “multimedia” and a long list of colorfully, innovatively named “artist practices.” A basic characteristic of dimensional art can be sensory immersion for the “viewer,” who may better described in the 4D context (as in “exposition”) as a “user” or “participant.” The fully realized 4D environment provides the user an encompassing sensory encounter, with the “art” presented. Here, “art” as a term is interchangeable with “content.”

Obviously, at this juncture, we are establishing a viable bridge (actually, a sphere with infinite entry and exit points, theoretically) that is capable of connecting territories that previously were not mutual, or common, much less intrinsic. Orientation, navigation, interface, direction, and so on become emphatic