Predisposed to arguments of global inclusivity and exclusivity, or other criterion-based contradictions, patience is requested. We are here, after all, concerned with “art for humans” and 4 Dimensional “art ultimately. Any sustainable solution will need to resolve such (valid) concerns.

The second admission we must make is how fragile the human eye is. To a great degree, the same can be said of the vision apparatus, whether we mean optical biology, technology and, by extension, art. Fortunately, we equipped with other senses. Recognizing the combinative value of all senses leads us toward a concept of the sensory in aggregate, and in turn to the consideration of the environment and the related sensory phenomenon of immersion.

[2.8]

One of the original ideas of Dimensionism (N+1)* is the Additive being a feature of the “program.” For a sample of how significant this notion is, we only have to look at Wikipedia, which operates almost entirely as software on the basic Additive